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Wayang kulit ( Javanese: ꦮꦪꦁ​ꦏꦸꦭꦶꦠ꧀) is a traditional form of puppet-shadow play originally found in the cultures of Java and Bali in Indonesia.

Wayang kulit, wayang golek, wayang klithik Performing arts, Traditional craftsmanship This proves that Wayang Kulit despite it being a traditional art form, continues to be a tradition that is adaptable and ever-evolving.The Wayang Kulit performance by the Indonesian notable "dalang" (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in Bentara Budaya Jakarta, Indonesia, on 31 July 2010 Regardless of the innovation of stories, favourite stock characters of yesteryears such as Rama, Sinta, Arjuna, Hanuman and others, continue to resonate with an intergenerational audience. It is no surprise to see puppets of familiar superheroes such as Superman and Batman appear as guest puppets in adapted stories.ġ0.

The Wayang Kulit of today acts as a bridge to an age-old tradition that is gradually evolving to incorporate new stories with characters that are more relevant to today’s multicultural and globally attuned audiences. In some stories, the gunungan is used innovatively as a transport for the characters.ĩ. When it is waved in circles, it gives an impression of a huge fire or thunderstorm. Other than that, it is used to depict a mountain, a cave, a forest or obstacles that hinder the journey of characters. It also functions as an entry point to bring people into a world of fascinating stories and characters. The Gunungan is usually featured in the beginning and the end of a performance. Often it includes animals and mythological creatures that are symbolically regarded as sacred.Ĩ. This conical mountain-tree structure inherently depicts life and consists of intricate designs of a stylised tree. The most important and prominent is the Gunungan (mountains), or known by other names in the nusantara such as Kayon (tree) or the Pohon Beringin (banyan tree). Sceneries are also carved out to become shadowed entities in the Wayang Kulit. Although these stories have their own adapted and localised versions, the bulk of the stock characters remain very similar.ħ.

Some of the popular texts that shaped the corpus of traditional Wayang Kulit stories were the Indian epics of Mahabharata and Ramayana as well as the East Javanese Panji cycles. Wayang stories borrowed characters from local myths, Indian epics and heroes from Persian tales. These puppets are carved out from the imagination of puppet-makers who integrate indigenous aesthetics with the descriptions of characters inspired by the stories that came from ancient Indian texts. Each puppet is unique with specific differences in the shape of eyes, nose as well as the colours and shades painted onto the puppets to distinguish it from other characters and to define its personality.Ħ. The puppets are made from cured cowhide and the puppet handles that are fastened to these flat figurines are made of cow horns. The performance may last for hours and shown in phases with its continuation to happen in subsequent days.ĥ. Wayang Kulit is ideally performed in an open air theatre, when it is dark enough for the source of light to cast shadows upon the screen. As the orator, he must also master more than a hundred voices of different characters and their temperaments to help tell the story.Ĥ. He cues the ensemble with the kepyak, a cymbal-like percussion instrument, placed at his feet. The dalang who is also the music conductor enhances the narration of his stories with live music accompaniment consisting of an ensemble of gamelan musicians sitting behind him. A light source which is traditionally an oil lamp hangs above him so that he is able to cast the shadows of the puppets onto the screen to narrate the story to an audience who is sitting on the other side of the screen.ģ.

The practice involves the enactment of puppets by the puppet master, known as the dalang, who is most often a respectable male figure and he sits at close distance facing a white screen called the kelir. There are few versions of Wayang Kulit in the region: the most studied and popularly known is the Javanese one and others include the Wayang Kulit Siam of Kelantan, Malaysia and the Nang Taung of southern Thailand, as well as the huge static variants such as the Nang Yai of Thailand and Nang Sbek of Cambodia.Ģ. It is believed to have been introduced to the region from India with the spread of Hinduism as evident from the texts that have traditionally inspired the stories of the Wayang Kulit. Wayang Kulit is a shadow puppetry tradition that is found in maritime Southeast Asia.